Tutte le news su Kate Winslet! Online su www.katewinslet.it

Non perdetevi tutte le news su Kate Winslet: le trovate su www.katewinslet.it! Il blog sarà online fino a che non avrò trasferito l'archivio news (2011-2016) sul sito.

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Il sito www.katewinslet.it sarà offline nella giornata di oggi, ma torneremo quanto prima con una bella sorpresa! Lo spazio news invece è ancora attivo, così come la pagina facebook.

Kate Winslet sul set di Collateral Beauty

https://www.facebook.com/simplykatewinslet/posts/1609653876028003

Foto dal set di Collateral Beauty

The Dressmaker con la diabolica Kate Winslet: il trailer italiano in anteprima

Vanity Fair pubblica in anteprima il trailer italiano di The Dressmaker, dal 28 aprile al cinema!

Cliccate qui: http://www.vanityfair.it/show/cinema/16/03/23/the-dressmaker-kate-winslet-film-trailer-foto

e seguiteci su Facebook! https://www.facebook.com/simplykatewinslet/

The Dressmaker con la «diabolica» Kate Winslet: il trailer italiano in anteprima


Sensuale, diabolica, adorabile. Avvolta in un abito rosso fiammante (che fa pendant con il fuoco infernale alle sue spalle), spacco vertiginoso e sguardo fiero, Kate Winslet campeggia così, superba e sexy, sulla locandina di The Dressmaker, in uscita da noi il 28 aprile e di cui qui vi mostriamo il trailer italiano in anteprima.

Il film, tratto dal romanzo d’esordio di Rosalie Ham e portato sullo schermo dalla regista Jocelyn Moorhouse, racconta con tono grottesco e surreale il desiderio di rivalsa di una stilista (Winslet, appunto), che torna dopo anni nel suo paese natale, dopo essere stata costretto ad abbandonarlo per un’ accusa infamante.

La storia, a metà tra commedia e tragedia, è ambientata a Dungatar, fittizia cittadina australiana di poche anime, popolata di individui ottusi, bigotti e poco socievoli: fa eccezione Teddy, giovane uomo dall’animo puro e sincero interpretato da Liam Hemsworth e il sergente Farrat (Hugo Weaving), poliziotto col debole per i boa piumati.

Siamo nel 1951 e Tilly/Winslet è una sarta all’avanguardia, che immagina abiti su misura e alla moda, disegnati per mettere in risalto le forme delle donne. Tuttavia, per lei, fare vestiti per gli abitanti di Dungatar (dove torna dopo essere stata cacciata anni prima) è solo un modo per iniziare a fare i conti col suo misterioso passato. E vendicarsi. Usando ago e filo come un’arma. 

Vestiti e costumi, curati da Marion Boyce, sono un elemento vitale del film, a partire proprio da quel meraviglioso abito rosso che vediamo in locandina. Caratterizzano i personaggi, sono pura narrazione.

http://www.vanityfair.it/show/cinema/16/03/23/the-dressmaker-kate-winslet-film-trailer-foto

Codice 999 il 21 aprile nei nostri cinema!

Buone notizie!!!
Codice 999 uscirà nei nostri Cinema il 21 aprile!! Non perdetevi il nuovo trailer italiano su il corriere dello sport e mettete mi piace alla pagina M2Pictures dedicata al film Codice 999!

Il 28 aprile invece uscirà The Dressmaker, quindi ci aspetta un mese all insegna di Kate Winslet!!

#codice999 #katewinslet

http://video.gazzetta.it/codice-999-ecco-kate-winslet-spietata-boss-mafia/7905d446-eb75-11e5-8b36-c88ee7f17e30?playlistId=7797cecc-79ec-11e3-b322-c9e919454f4d

Nuove foto dal set di Collateral Beauty: Edward Norton e Kate Winslet

Nuove foto dal set di Collateral Beauty: Edward Norton e Kate Winslet

http://www.dailymail.co.uk/tvshowbiz/article-3474051/Kate-Winslet-wraps-warm-Collateral-Beauty-set-braves-ice-heels-films-scenes-alongside-Edward-Norton.html

Kate Winslet: Prossime uscite nei cinema italiani

Kate Winslet, prossimamente al cinema:

Codice 999: 21 Aprile 2016 (M2 Pictures)







The Dressmaker: 28 aprile (Eagle Pictures)

Kate Winslet sul set di Collateral Beauty: nuove foto

Kate Winslet sul set di Collateral Beauty, l'1 marzo: nuove foto, cliccate qui!


Album: https://www.facebook.com/media/set/?set=a.1576650295995028.1073741829.1492700064390052&type=3

The Dressmaker: il diavolo è tornato, intervista alla costumista

Intervista a Margot Wilson, costumista di The Dressmaker, in uscita nei nostri cinema il 5 maggio distribuito da Eagle Pictures

http://www.elle.com.au/news/fashion-news/2016/3/costume-designer-margot-wilson-talks-kate-winslet-and-the-1950s-silhouette/

'The Dressmaker' Costume Designer Margot Wilson Talks Kate Winslet And The 1950s Silhouette

"Silhouettes have changed... Our physical appearance has changed."

In celebration of The Dressmaker's DVD and digital release, ELLE had the opportunity to have a chat with the woman behind the magic of the film, Margot Wilson, who designed the fabulous costumes you saw Winslet swanning around in pseudo-1950s outback Australia.

Tell us a bit about working with Kate Winslet…

Working with Kate was a wonderful opportunity. It was a treat to have one character to concentrate on. She is extremely professional, funny, very down to earth, and a pleasure to work with.

How collaborative was Kate?

Kate had taken sewing lessons before she came to Australia to work on The Dressmaker so she had a sense of the sewing terminologies and she understands what works on her and what doesn’t. We talked about Tilly and I presented drawing to her to show her want I was thinking. I was lucky enough to have already worked on a film Triple 9 in Atlanta, Georgia with Kate earlier that year so I already knew how to approach her designs.            

You read the script, you hear Kate has signed on for the lead part - what’s the first thing you do? 

As with any film you begin with research, thinking about who your canvas is by looking at photos of them, looking at other films they have worked on. Once you have read the script a number of times you work on your script breakdowns, which tells you how many costumes you need for each character and what they are doing in the scene. If they have action in a scene they may need multiples of the same costume. Then it’s about making the character and the actor fit together. Drawings are done and discussions with the director and early conversations with the actor if possible. Often they are on other films. Preparation is important.

How did Australian style weave into the costumes?

For Tilly it was important to keep her separate from the rest of the town. She hadn’t been back since she was much younger. Tilly had left travelling to France. She had worked in fashion over there perfecting her skills and talent. These are the skills that she brought back to the town as a couture dressmaker.

How do you think fashion has changed since the '50s?

Fashion has grown in leaps and bounds since the '50s; silhouettes have changed, physical appearance has changed. The way we dress now is a lot more casual. There aren’t the restrictions of foundation garments. Society isn’t as conservative as it once was about dressing.

The fabrics are also different. It was cheaper to make your own clothes in the '50s [than to buy them] but now it’s cheaper to buy a garment than to sit down and make it. People don’t sew as much any more, so clothes are becoming more generic than they used to be: the same garment is manufactured thousands of times over. Time is not spent on fitting the garment properly, which results in one-size-fits-all situations. Fashion isn’t as feminine, or as fitted and shapely now as it was in the '50s.

Oscar 2016: la gallery

Potete vedere tutte le foto degli Oscar 2016 qui:

Kate Winslet: https://www.facebook.com/media/set/?set=a.1578189432507781.1073741866.1492700064390052&type=3

Kate Winslet e Leonardo Di Caprio:
https://www.facebook.com/media/set/?set=a.1578190179174373.1073741867.1492700064390052&type=3

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